Showing posts with label Silo Effect. Show all posts
Showing posts with label Silo Effect. Show all posts

Sunday, September 9, 2012

Live Painting Tour 2012: August Edition Part 1

"The way is in the heart."

Coursing through the summer mayhem, August perpetuated a creative exploration to close out the summer of 2012 properly. Before I set sail to Gnarnia The Festival, I spent a few days beachside in Virginia Beach working on a commission for my friend Dash who resides in the great music capita of Austin Texas. After many sandy afternoons, early sunny mornings and foggy evenings, this is "All Winds Point West".

"All Winds Point West" Painted in August 2012
Commission for Peter Dash

Process photographs of "All Winds Point West"

August 9th began my last leg of touring for the summer. That morning Thomas Robertson-Forest aka Goatfaced jumped aboard for our ride to the enchanting Beech Mountain in North Carolina for Gnarnia The Festival. With much mountain moisture in the air and a heavy rain that evening and sporadically over the whole weekend, painting was quite difficult. Though thanks to Jarred Trantham, we were able to be involved with the live art gallery which displayed over 30 artists from all over the country, facilitating a comfortable social environment for the Gnarnians' to enjoy a great variety of creativity.

Even though moisture held tight in the mountains, the cool weather was a great break from the usual humid summer conditions. During the day they had the ski lift opened for a beautiful ride to the top of the mountain which provided amazing view points of the Appalachian Mountains and the Tribal Council dome with many interactive and informative workshops everyday. Gnarly weather called for gnarly music and light shows. Android Jones displayed his visual projection performance called Phadroid on friday night which tantalized our eyes with graphics interweaving with a dancer. Even though live painting wasn't possible for most evenings due to drizzle and moisture, I still was able to start a new landscape painting and draw on a few bodies over the weekend!

Drawing on Morgan Miller

Body Art on Samantha Buerkley

If you were not able to make the festival and would like to get a better idea of the vibe and beautiful surroundings, you can check out my entire photo album from the weekend below!


The following weekend I was graciously invited to be a crew member with the Silo Effect and attend Rootwire Music and Arts Festival as a guest artist. This festival is put together by the most heart centered band in the scene, Papadosio. Their bright influences of positive community and integrated creativity and expression was seen clearly throughout the tranquil grounds of Kaeppners Woods. The artist gallery this year consisted of many nationally recognized visionary painters who held workshops and discussions on top of performance painting each day. Also there were incredible projected visuals and light shows provided by Jason Takahashi, Dustin Klein and Herm Productions.

As the sun set Thursday evening and night fell upon us, I set up and painted on a platform right next to the stage during Silo Effect. Being this entwined with the action brings a motivating correlation to my performance, enabling myself to focus on producing within this intended moment. Here are a few shots of me painting that were captured over the Rootwire weekend.

Painting during the Silo Effect alongside Goatfaced.
Photo by Gavin Meyer


 
"Focus"
Photo by B.Hockensmith

"Passion is Purpose"
Photo by Jon Ohia

Also feel free to check out my entire Rootwire photo album at the link below.


Thanks for checking out my latest update from this perplexed yet marvelous summer tour. Look out for Part 2 of the Live Painting Tour: August Edition to be published soon which will include the awaited final image of the "Rainbow Fish" painting from earlier this summer, the Camp Barefoot experience and reflective thoughts on this diligently active summer.

Chapin Mathews
9.9.12 ♥

"Every artist dips his brush in his own soul and paints his own nature..."
Henry Ward Beecher 

Wednesday, July 4, 2012

Summer 2012 Live Painting Tour Part 2: Process on New Painting and Body Art

"Knowing trees, I understand the meaning of patience. Knowing grass, I can appreciate persistence."
Hal Boreland


Propelling through the beautiful landscapes of our country, the winds of creativity steer our path through the Arkansas mountains to find rest and grounding after a long two week live painting journey to Summer Camp and Wakarusa Music Festival. De Gray Lake outside of Little Rock, Ar became the resting peninsula we envisioned to recoup the imagination and unwind. 

Though living on the road can bring the greatest of unique freedoms, the lack of structure can also lead to difficult times and impatience. We all experienced an extreme reflecting point on ourselves and as a group those 10 days we spent between De Gray Lake and then travelling to Asheville, Nc before making our way to Impulse Music Festival. Still, nature provided it's healing principles as I floated daily on De Gray Lake catching sun rays and adventuring inside a waterfall outside Hendersonville, Nc.

The next stop was Impulse Music Festival in Union Point, Georgia. The location for the festival was quite unique. The grounds were used primarily as a dirt bike course so all through out the weekend there were riders performing stunts which added to the already stacked amount of entertainment. The Tribal Council dome was where I found myself the majority of the weekend as the atmosphere lent an ease to social interaction, stretching and meditation. This weekend was the beginning to a piece I had been sketching and planning out since our stay at De Gray Lake. Here is the "fishy" piece in progress at Impulse...

"Fishy" in progress at Impulse Music Festival.

Gallery Set Up

Based upon the distance to Colorado from Georgia and everyones individual needs within the group, our attendance to Sonic Bloom did not occur this year. Returning home early to Richmond, Va after being on the road for a nearly month felt quite comforting. I have missed Virginia over this past year and my now unknowing length of return has opened time to rekindle old connections, make new ones and find creative work.

Since attending Sonic Bloom was out of the question for the weekend, I stumbled upon a small festival in Surry,Va that a friend was involved with. Quickly being added to the list so I could perform, I set sail east to the Blueberry Jam before getting my feet in the ocean for the first time since September. I spent most of the evening painting on bodies instead of the canvas. Meeting some great new faces through the Norfolk, Va crew I met at Nomadic Roots last year, I painted on roughly 12 people over the course of 2-3 hours. It's was great to see so many people excited about the art and wanting to interact with it.

After a few nights on the oceanfront in Virginia Beach, I made my way to Gore Virginia to perform at Nomadic Roots Festival this past weekend. A small 500 person gathering this year became the funnest festival experience of the summer thus far. Lots of the Richmond and Norfolk family were in attendance, creating a reunion of sorts in my perspective. All the live artists constructed a gallery within the main stage area which included Thomas Robertson-Forrest, Tom Reed, Rae Vena and myself. Even though we experienced storm weather that destroyed gallery structure, no artwork was harmed. Jumping onto the stage during the storm Friday night awaiting my great friends the Silo Effect to perform, we started a drum circle that filled in entertainment till the storm passed along and the music started back.

Over the weekend I slowly worked on the "fishy" piece that is currently still in progress and spent a great deal of time producing body art on friends and working on a cane. Here are a few photos from the weekend...

Body Art on Caitlin Gaines, Manager of Silo Effect

Customizing Mike Hayes' Cane

My biggest and most detailed piece of body art yet. 
Created on Liam Bryce  

Sweet Allison Terres' Body Art

Body Art on Samantha Gilbert

The newly married Caroline Miller Knapp and her Body Art.


I really appreciate all the love and support I received over the weekend. Nomadic Roots has become a major homebase festival for the summer, and I look forward to seeing it blossom even more next year when I return! The month of July is currently at ease right now, opening time for commission work and personal travels. Here is one show you can catch me at in July. I hope you will be available to join us this beautiful evening. We have some big creative plans in store so come support your local art and music.

July Shows:

Friday July 20th: Polycrons and Silo Effect at the Canal Club in Richmond, Va


As a last announcement, I have recently been added to The Festival of Gnarnia being held for the first year at Beech Mountain, Nc. If you have not heard of this amazing festival, check out the website and I look forward to seeing you all out there. Here is the remaining summer festival tour starting back up in August.

August Festival Tour:

August 9th-11th: The Festival of Gnarnia held on Beech Mountain, Nc

August 16th-19th: Rootwire Music Festival thrown by Papadosio in Logan, Oh

August 23rd-26th: Camp Barefoot Music Festival held in Bartow, Wv

Chapin Mathews
7.4.12 ♥

"Being loved deeply by someone, gives you strength. Loving someone deeply gives you courage."
Lao Zu

Saturday, October 8, 2011

The Remaining Summer Saga

"A journey of a thousand miles must begin with a single step." Lao Tzu

When I look back on the summer of 2011, "blessed" is the first word that comes to mind. As I sat all winter and spring in my office job I never could have imagined that becoming unemployed would open the opportunity to spread my soul through a passionately creative journey across the country. All together from May to August I traveled over 12,000 miles, performance painted 6 music festivals and another dozen individual shows. From all the places I visited, the people were the best part. Those beautiful souls I gratefully met built a bright fire in my soul. No matter how simple our encounter, you positively affected my life and I hope to have in exchange done the same for you.

Last post I left off in early July at a small show I performed in Norfolk Virginia. About a week after the Norfolk show I embarked for my first "burn" experience at a festival called Transformus outside of Asheville North Carolina. If you are unfamiliar with the "burn" term, you may be more familiar with the event called Burning Man. Burning Man is a week long event held in the desert of Nevada creating the second largest city, Black Rock City, in the state for only a short period of time and then vanishes till the next year. A simple explanation of the purpose and concept behind Burning Man is community and participation. Bringing people together to not only enjoy the event but to create it as well.


Michael Garfield lecturing at Burning Man 2011

Participants on the macro level of the event are artist, musicians and organizers that provide unique characteristics to the festival such as art installations, live music, and various body, mind and spiritual lectures and events at what are called "theme camps" which are laid throughout the grounds with overlapping schedules. Everyone is encouraged to be a participant on any level possible and usually most of the people are successful in providing an interesting piece to the puzzle as most of the festival is enjoyed by visiting the mass number of theme camps created. The main event in the week though is on the last night of the event when the burning of the "man" is initiated. This years burning "man" was 104 feet tall! The center piece of the city that is practically worshiped throughout the week is burnt as a sign of an ending to a new beginning. This concept of the burning is understood as a time of renewing. Letting go of what we may or may not cherish to create a spiritually refreshing experience in our lives.

So after many years of the original Burning Man, "burns" have developed all over the country providing the same principles as Burning Man on a smaller, less populated level which opens an opportunity for these principles to spread further than the Nevada event. Transformus was a very new festival experience for me. I noticed most that instead of a main stage with bands and main acts like most music festivals, the whole festival ground was the main act. It was for you, the participant, to discover where and what to experience through visiting all the theme camps. Gifting is also a major part of the burn community. Not only did I receive a wide variety of gifts ranging from food to a new outfit from the costume theme camps, I gifted many pieces of glass jewelry, food, painting and great connections with the people I met all weekend.


Anticipating the burn!


And it begins....


Wallflower perspective of the main burn. So capturing.

My return from Transformus inspired my spiritual vision. I was determined to put as much focus and motivation as possible to expand my live painting schedule for the summer. I quickly got booked to paint Nomadic Roots Festival which was two weeks after Transforums in Gore Virginia. Meeting many great folks alongside my buddy Thomas who came and painted as well, I created two paintings over the course of three days that felt as a relief to manifest.



"The Maze Follows" Painted 7.28-29.11

Sold

Prints $10


"Freedom" Painted 7.30.11

Original For Sale, Inquire By Email For Pricing

Prints $10


One week after Nomadic Roots Festival I traveled with the Silo Effect to Logan Ohio for the Rootwire Music Festival held by Papadosio. This weekend I wanted to not only explore the incredible line up of musicians and lectures provided but also create one concise painting that evolved over the weekend. After painting at 8 sets over the course of two days, "The Path to Rootwire" was created and in my eyes opened a path to combining styles I had been only working on separately which in many ways worked well and was a clear evolution in my work.



"The Path to Rootwire" Painted 8.5-6.11 to Michael Garfield, D.V.S*, Emancipator, Silo Effect, The Malah, Papadosio, Damn Right and Invisible Allies

Sold

Prints $10

Shortly after Rootwire I was lucky enough to paint at the National again on August 12th for Boombox with the help of my buddies the Silo Effect who were opening up. A reunion for many of us who spent time together at Rootwire enjoying the moment and anticipating what was left for summer.

For the past few years there has been no better way for me to wrap up the summer then to attend Camp Barefoot Music Festival now held in Bartow West Virginia. Last year was the first festival I was ever an official live painter at so it was great to return again this year with a surprising growth in the number of live painters. There were close to a dozen artist this year compared to three from last year. I received the same creatively communal vibe this year as I did at Sonic Bloom Festival that I spoke of in the last post. It's quite moving to see such a large group of young people taking their part in the scene in providing visual art.

From my first festival encounter this summer with Thomas at Ad Astra Festival in June where it was only the two of us, to these larger numbers of creative minds joining collectively, it has been a blessing to be a part of this current movement of live painting. To know that Camp Barefoot was an ending to the most incredible creative summer I have experienced yet was in a way saddening but also created an ending for a new beginning just like the concept of a burn. It allowed me to purge past certain creative limits and reach new levels of creative consciousness. Running now with the concise vision I had discovered at Rootwire lent to a more peaceful and confident experience in performing.


"Augmented Senses" Painted 8.18-19.11

Sold

Prints $10


Collaboration between Thomas Robertson-Forrest and Chapin Mathews 8.18.11 at Camp Barefoot Music Festival

Donated



Process photo by Julie Steinberg from CB5 on 8.20.11

Continued at Silo Effect on 9.3.11

Still in Progress and For Sale


Taking you back to the last post I spoke at length about my wonderful experience as a performance painter at the Sonic Bloom Music Festival. Thanks to Michael Garfield, here is a montage video from the weekend which captures the experience quite well. There are a few clips of me working alongside the rest of the productive live painting crew.



Thank you all for taking the time to read and catch up on my rigorous schedule as an artist this summer. Blessed we all shale be to have the opportunity to experience such collaboratively creative events on an annual basis. Before I end I would also like to turn your attention to my soundcloud website where I post my music recordings. I have been spending an abundance of time recording written and improvisational tracks all summer and have started to post some of the recordings. "Move", "Auto Interlude" and "Sweet Summer Nectar" are recently posted tracks. All tracks are downloadable. I hope you enjoy. The next post will include many photos, videos and stories from my move across the country from Richmond Virginia to Boulder Colorado. 4 days of driving, 3 nights of camping and a mind expanding perspective of the land we call home. As well as some of the new creative experiences I am having in the rocky state thus far.

Thank you for all your support and stay creative!

Chapin Mathews

"When you are everywhere, you are nowhere. When you are somewhere, you are everywhere." Rumi

Tuesday, July 12, 2011

What a Time, a Time it Has Been.... Part 1

It has been quite some time since my last publishing and there has been a plethora of experiences and events to catch up on. Upon the beginning of May and just after my last post, a gift came to me. Some may not see this situation as a gift, and I did not at first either. I received a call late afternoon Monday, May 9th right before I was going into work that our shift had been laid off. I had been employed by Brown-Greer law firm for close to 5 months reviewing claims for the British Petroleum spill that occurred back in April of 2010. I really had enjoyed the work environment and the job emphases on monetarily compensating people in need. At first I was upset and spent the whole week planting a new garden, putting all my energy and feelings into it. This week humbled me to see the light in the situation. Find the good. All at the same time my relationship came crashing down and all I could see was black. I had to...... escape. I did not want to run or hide. I just felt like bursting.

All that had been consistent, was, no more.... To many of us, consistency equals comfort. And in many cases consistency has brought me comfort. At this time though I realized that a transitional period was occurring and I came back to this notion that I read a few years ago, stating "change is the only constant." I realized that my comfort was inside the way I was to change and so I started to travel. This intuitive and spontaneous decision became a beautiful and reflective timeline of healing, opening the motivational path to continue traveling through out the summer and share my live creativity with as many people as possible. And it begins.....

First I spent a few days breathing and relaxing by the ocean in Virginia Beach where I am grateful enough to have a little apartment to escape to thanks to Dad and his Real Estate escapades. The ocean is what calms me. I have been in the water swimming and surfing since the age of 3. It brings me back to my youthful center always. A kid again and always at heart.

On may 20th I trekked back to Richmond to paint for the Polycrons and Silo Effect at the Canal Club. This event had been planned for a while with a huge array of artists, decorations, and an opening Dj session by my buddy Miles Milner, all put on by our good friends TeePee Crew Promotions.


"The Mood was Set"


Installation by Sarah Sage and Walker Willow


A shot of me working next the the TeePee
Thanks TeePee Promo for the photos

The Polycrons played a great opening set for my first experience with the band. Silo Effect closed out the night with 2 electrifying sets with 2 special surprise guests. Andrew Lutwin sat in for 2 covers over the night, "Naive Melody" by Talking Heads and "Fame" by David Bowie. Andrew killed it to say the least! Also during the second set Sam Brouse of Papadosio sat in with the Silo Effect coming in on Kasyapa> Cheministry which is a new song for the boys. After the 4 sets that night and working on the piece over the next 2 weeks while I was traveling, here is the final product from the 5.20.11 show.


5.20.11

Original $170

Prints $10

Just a few days after the 5.20 show I drove down to Jacksonville Florida to visit some very close friends of mine for two weeks and also to catch a free Herbie Hancock show during the Jazz Festival over Memorial Day weekend. What a treat it was to see a living legend in a dramatic but simple trio. Not to mention he busted out the "key-tar". Here is a clip I found from the festival in the middle of a jam during "Chameleon".

Jacksonville is always a much needed vacation. I don't ever need a real big excuse or event to come down. I always feel at home when I go and visit my long time friend Alex and his lady Missy in their sweet hospitality. Always some sort of debauchery occurring. It's never a dull moment with those two. During the last weekend of my stay we went down to St. Augustine about an hour south of Jax where Missy's father owns a beach condo. We planned for a very festive stay and not much sleep. We had music instruments, a battery powered IPod player for dancing on the beach and LED and fire hoops for our visual entertainment. Not to mention the beautiful moon and stars all laid out as a blanket for our eyes to wander. I caught some great shots of Missy and a friend with the LED hoops and one of the beautiful sunrises from the weekend.


Sunrise



Missy and friend with LED hoops


Hooper for Hire

A few days after St Augustine I packed my bags, said my goodbyes, and drove the long 9 hours back to Richmond to then hop back in the car with the Silo Effect the next day and travel to Ad Astra Festival in Big Island, VA. As I walk up to the main stage area I saw my new painting buddy Thomas Robertson-Forrest who I had met in Richmond during a few events. From that point on we have been soul brothers. We busted ass on our canvases Friday night till 11pm when the music stopped and continued early the next morning painting from noon to 11pm with our casual breaks. It felt like a purge of creativity to paint at this length. It was the highest high I had felt in a long time. Soaking in my own creative aura. And with great vibes and motivation from my new buddy Thomas.


"Flower to Flower"

Painted @ Ad Astra 6.10-11.11

Original $150

Prints $10


This was my set up at the festival. The piece on the easel was from the second night and is still in progress.


As for now, Part 1 is over to hold you in anticipation for Part 2. The next post will include my two week trip out to Colorado where I was able to perform at Sonic Bloom Music Festival, creating 3 new pieces! You can sneak preview them in the slideshow above. Plus 2 new shows from the National in Richmond with Peoples Blues of Richmond and the Jewish Mother in Norfolk with Galaxy Dynamite and the Silo Effect since my arrival back from Colorado. Keep it cool everyone, it's hot out there.

Light and Love,

Chapin Mathews


"You don't change the world to travel, you travel to change the world." Dedrick D.L. Pitter