Live Painting Tour 2012: August Edition Part 1

"The way is in the heart."

Coursing through the summer mayhem, August perpetuated a creative exploration to close out the summer of 2012 properly. Before I set sail to Gnarnia The Festival, I spent a few days beachside in Virginia Beach working on a commission for my friend Dash who resides in the great music capita of Austin Texas. After many sandy afternoons, early sunny mornings and foggy evenings, this is "All Winds Point West".

"All Winds Point West" Painted in August 2012

Commission for Peter Dash

Process photographs of "All Winds Point West"

August 9th began my last leg of touring for the summer. That morning Thomas Robertson-Forest aka Goatfaced jumped aboard for our ride to the enchanting Beech Mountain in North Carolina for Gnarnia The Festival. With much mountain moisture in the air and a heavy rain that evening and sporadically over the whole weekend, painting was quite difficult. Though thanks to Jarred Trantham, we were able to be involved with the live art gallery which displayed over 30 artists from all over the country, facilitating a comfortable social environment for the Gnarnians' to enjoy a great variety of creativity.

Even though moisture held tight in the mountains, the cool weather was a great break from the usual humid summer conditions. During the day they had the ski lift opened for a beautiful ride to the top of the mountain which provided amazing view points of the Appalachian Mountains and the Tribal Council dome with many interactive and informative workshops everyday. Gnarly weather called for gnarly music and light shows. Android Jones displayed his visual projection performance called Phadroid on friday night which tantalized our eyes with graphics interweaving with a dancer. Even though live painting wasn't possible for most evenings due to drizzle and moisture, I still was able to start a new landscape painting and draw on a few bodies over the weekend!

Drawing on Morgan Miller

Body Art on Samantha Buerkley

If you were not able to make the festival and would like to get a better idea of the vibe and beautiful surroundings, you can check out my entire photo album from the weekend below!

Gnarnia Photo Album 

The following weekend I was graciously invited to be a crew member with the Silo Effect and attend Rootwire Music and Arts Festival as a guest artist. This festival is put together by the most heart centered band in the scene, Papadosio. Their bright influences of positive community and integrated creativity and expression was seen clearly throughout the tranquil grounds of Kaeppners Woods. The artist gallery this year consisted of many nationally recognized visionary painters who held workshops and discussions on top of performance painting each day. Also there were incredible projected visuals and light shows provided by Jason Takahashi, Dustin Klein and Herm Productions.

As the sun set Thursday evening and night fell upon us, I set up and painted on a platform right next to the stage during Silo Effect. Being this entwined with the action brings a motivating correlation to my performance, enabling myself to focus on producing within this intended moment. Here are a few shots of me painting that were captured over the Rootwire weekend.

Painting during the Silo Effect alongside Goatfaced.

Photo by Gavin Meyer

 

"Focus"

Photo by B.Hockensmith

"Passion is Purpose"

Photo by Jon Ohia

Also feel free to check out my entire Rootwire photo album at the link below.

Rootwire Photo Album

Thanks for checking out my latest update from this perplexed yet marvelous summer tour. Look out for Part 2 of the Live Painting Tour: August Edition to be published soon which will include the awaited final image of the "Rainbow Fish" painting from earlier this summer, the Camp Barefoot experience and reflective thoughts on this diligently active summer.

Chapin Mathews
9.9.12 ♥

"Every artist dips his brush in his own soul and paints his own nature..."

Henry Ward Beecher 

The Remaining Summer Saga

"A journey of a thousand miles must begin with a single step." Lao Tzu

When I look back on the summer of 2011, "blessed" is the first word that comes to mind. As I sat all winter and spring in my office job I never could have imagined that becoming unemployed would open the opportunity to spread my soul through a passionately creative journey across the country. All together from May to August I traveled over 12,000 miles, performance painted 6 music festivals and another dozen individual shows. From all the places I visited, the people were the best part. Those beautiful souls I gratefully met built a bright fire in my soul. No matter how simple our encounter, you positively affected my life and I hope to have in exchange done the same for you.

Last post I left off in early July at a small show I performed in Norfolk Virginia. About a week after the Norfolk show I embarked for my first "burn" experience at a festival called Transformus outside of Asheville North Carolina. If you are unfamiliar with the "burn" term, you may be more familiar with the event called Burning Man. Burning Man is a week long event held in the desert of Nevada creating the second largest city, Black Rock City, in the state for only a short period of time and then vanishes till the next year. A simple explanation of the purpose and concept behind Burning Man is community and participation. Bringing people together to not only enjoy the event but to create it as well.

Michael Garfield lecturing at Burning Man 2011

Participants on the macro level of the event are artist, musicians and organizers that provide unique characteristics to the festival such as art installations, live music, and various body, mind and spiritual lectures and events at what are called "theme camps" which are laid throughout the grounds with overlapping schedules. Everyone is encouraged to be a participant on any level possible and usually most of the people are successful in providing an interesting piece to the puzzle as most of the festival is enjoyed by visiting the mass number of theme camps created. The main event in the week though is on the last night of the event when the burning of the "man" is initiated. This years burning "man" was 104 feet tall! The center piece of the city that is practically worshiped throughout the week is burnt as a sign of an ending to a new beginning. This concept of the burning is understood as a time of renewing. Letting go of what we may or may not cherish to create a spiritually refreshing experience in our lives.

So after many years of the original Burning Man, "burns" have developed all over the country providing the same principles as Burning Man on a smaller, less populated level which opens an opportunity for these principles to spread further than the Nevada event. Transformus was a very new festival experience for me. I noticed most that instead of a main stage with bands and main acts like most music festivals, the whole festival ground was the main act. It was for you, the participant, to discover where and what to experience through visiting all the theme camps. Gifting is also a major part of the burn community. Not only did I receive a wide variety of gifts ranging from food to a new outfit from the costume theme camps, I gifted many pieces of glass jewelry, food, painting and great connections with the people I met all weekend.

Anticipating the burn!

And it begins....

Wallflower perspective of the main burn. So capturing.

My return from Transformus inspired my spiritual vision. I was determined to put as much focus and motivation as possible to expand my live painting schedule for the summer. I quickly got booked to paint Nomadic Roots Festival which was two weeks after Transforums in Gore Virginia. Meeting many great folks alongside my buddy Thomas who came and painted as well, I created two paintings over the course of three days that felt as a relief to manifest.

"The Maze Follows" Painted 7.28-29.11

Sold

Prints $10

"Freedom" Painted 7.30.11

Original For Sale, Inquire By Email For Pricing

Prints $10

One week after Nomadic Roots Festival I traveled with the Silo Effect to Logan Ohio for the Rootwire Music Festival held by Papadosio. This weekend I wanted to not only explore the incredible line up of musicians and lectures provided but also create one concise painting that evolved over the weekend. After painting at 8 sets over the course of two days, "The Path to Rootwire" was created and in my eyes opened a path to combining styles I had been only working on separately which in many ways worked well and was a clear evolution in my work.

"The Path to Rootwire" Painted 8.5-6.11 to Michael Garfield, D.V.S*, Emancipator, Silo Effect, The Malah, Papadosio, Damn Right and Invisible Allies

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Prints $10

Shortly after Rootwire I was lucky enough to paint at the National again on August 12th for Boombox with the help of my buddies the Silo Effect who were opening up. A reunion for many of us who spent time together at Rootwire enjoying the moment and anticipating what was left for summer.

For the past few years there has been no better way for me to wrap up the summer then to attend Camp Barefoot Music Festival now held in Bartow West Virginia. Last year was the first festival I was ever an official live painter at so it was great to return again this year with a surprising growth in the number of live painters. There were close to a dozen artist this year compared to three from last year. I received the same creatively communal vibe this year as I did at Sonic Bloom Festival that I spoke of in the last post. It's quite moving to see such a large group of young people taking their part in the scene in providing visual art.

From my first festival encounter this summer with Thomas at Ad Astra Festival in June where it was only the two of us, to these larger numbers of creative minds joining collectively, it has been a blessing to be a part of this current movement of live painting. To know that Camp Barefoot was an ending to the most incredible creative summer I have experienced yet was in a way saddening but also created an ending for a new beginning just like the concept of a burn. It allowed me to purge past certain creative limits and reach new levels of creative consciousness. Running now with the concise vision I had discovered at Rootwire lent to a more peaceful and confident experience in performing.

"Augmented Senses" Painted 8.18-19.11

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Prints $10

Collaboration between Thomas Robertson-Forrest and Chapin Mathews 8.18.11 at Camp Barefoot Music Festival

Donated

Process photo by Julie Steinberg from CB5 on 8.20.11

Continued at Silo Effect on 9.3.11

Still in Progress and For Sale

Taking you back to the last post I spoke at length about my wonderful experience as a performance painter at the Sonic Bloom Music Festival. Thanks to Michael Garfield, here is a montage video from the weekend which captures the experience quite well. There are a few clips of me working alongside the rest of the productive live painting crew.

Thank you all for taking the time to read and catch up on my rigorous schedule as an artist this summer. Blessed we all shale be to have the opportunity to experience such collaboratively creative events on an annual basis. Before I end I would also like to turn your attention to my soundcloud website where I post my music recordings. I have been spending an abundance of time recording written and improvisational tracks all summer and have started to post some of the recordings. "Move", "Auto Interlude" and "Sweet Summer Nectar" are recently posted tracks. All tracks are downloadable. I hope you enjoy. The next post will include many photos, videos and stories from my move across the country from Richmond Virginia to Boulder Colorado. 4 days of driving, 3 nights of camping and a mind expanding perspective of the land we call home. As well as some of the new creative experiences I am having in the rocky state thus far.

Thank you for all your support and stay creative!

Chapin Mathews

"When you are everywhere, you are nowhere. When you are somewhere, you are everywhere." Rumi